This work continues an exploration of “elsewhere” as an interior terrain. Unlike a purely atmospheric space, this painting suggests orientation and movement, as though the viewer is looking down onto a shifting psychological landscape. Linear forms trace routes across the surface, intersecting with fractured shapes that resemble land masses or architectural fragments. The composition feels navigable, yet never fixed.

Layered collage and deep undercurrents of colour create a sense of depth beneath the visible structure. Dark, wing-like forms move across the plane, introducing the feeling of flight and observation. The perspective becomes aerial, surveying an imagined territory that is both expansive and intimate.

Here, elsewhere is not drift but discovery. It is the act of mapping an internal vastness, charting the unseen spaces of memory and imagination while remaining physically still. The painting invites the viewer to travel without moving, to explore a boundless inner geography held within the frame.

This painting has been created on a framed wooden cradle board. It is a mixed media piece comprising of Acrylic Paint, Graphite, Oil Pastel, Ink, Coloured Pencil and Collage (including a mix of vintage paper and paper hand made by the artist). The painting is 31cm by 31cm, has been sealed with three layers of satin varnish to protect the work and comes ready to hang.

'Looking Down' has over 10 layers of paint and collage contained within it. Building it up layer by layer creates depth, texture and history. The lumps and bumps on the surface make it almost tactile and the interplay of shape next to line, collage next to paint and colour next to monocrome creates interest and drama within the piece.